A screenwriter develops a dangerous relationship with a faded film star determined to make a triumphant return.A screenwriter develops a dangerous relationship with a faded film star determined to make a triumphant return.A screenwriter develops a dangerous relationship with a faded film star determined to make a triumphant return. With unofficial permission from Paramount, she worked for a few years with writer Dickson Hughes and actor Richard Stapley developing a show called Starring Norma Desmond (later changed to Boulevard). Next image (0) (0) His height was 1.8 m tall and weighed 89 kg. His characters were always angling for something, whether it was silk stockings in a POW Camp in Stalag 17 from 1953, which won him a Best Actor Oscar, or to clear impersonation charges in in The Bridge on the River Kwai (1957) with Alec Guinness. Gloria Swanson's career was not revitalized by this film. Set non-holiday all-time house record of $166,000 at New York's Radio City Music Hall when it opened. At one point Norma mistakes Joe for a funeral director and asks for her coffin to be white, as well as specially lined with satin. SUNSET BOULEVARD: The Making of the Billy Wilder Classic When she received her Honorary Oscar at the 1982 Academy Award ceremony, Holden had died in an accident just a few months prior. Confess, Peavey, he laughed in the ghosts face. But it wasn't a bullet from the gun of an aging movie queen that tragically ended his life, but rather, a rug, per The New York Times. That movie, however, departs from the trope by making both actress and stranger much younger. She declined the offer. The same musical quote from "Salome" is used again as she descends the stairs, where Waxman segues into his own original musical statement of "The Dance of the Seven Veils". (he'd already gotten the shot he needed on the first take). Oh, and while were at it, Wilder didnt submerge any cameras to get that underwater shot. Although she had long before ruled out the possibility of a movie comeback, she was nevertheless highly intrigued when she got the offer to play the lead. The car with the massive chrome grill that the repo men drive is a 1948 DeSoto Custom Club Coupe. It was named after a major street that runs through Hollywood, the center of the American film industry . Charles Brackett and Billy Wilder retained the term of endearment for the scene in which DeMille greets Norma Desmond at the door of the sound stage. Holden himself claimed that he, too, could picture his end. . Location scenes at Norma Desmond's mansion were shot not on Sunset Boulevard but on Wilshire Boulevard. When he appeared in the innovative Hollywood director Rouben Mamoulian's Golden Boy (1939), he was hailed as exactly that, but had seen his stock fall, largely through his problems with alcohol and a string of unmemorable films in the 1940s. [10] RKO borrowed him for Rachel and the Stranger (1948) with Robert Mitchum and Loretta Young. ), a woman who trades on charms that have . Schwab's was torn down in 1988 to make way for a movie theater and a shopping center. Betty and Joe fall in love after they sneak off to the studio backlot by moonlight to collaborate on a screenplay. It also alludes to the fact that Pomona was one of three towns in California's Inland Empire region (Riverside and San Bernardino were the others) that were frequently used during Hollywood's Golden Age for testing preview audiences' reactions to unreleased films. Without Norma Desmond, there wouldnt be any Paramount Pictures. Ultimately she retired completely from films, making only sporadic appearances, notably in Airport 1975 (1974). When Peavey heard the moans I am the ghost of William Desmond Taylor. The 2014 book by William J. Mann, Tinseltown: Murder, Morphine, and Madness at the Dawn of Hollywood, names Ross Blackie Madsen Sheridan as the killer, based on a death bed confession from actress Margaret Gibson, who beat a 1917 rap on prostitution and opium dealing. [43] Capucine and Holden remained friends until his death in 1981. Rudy's shoeshine stand at the parking lot where Gillis hides his car from the creditors was inspired by Oscar Smith's shoeshine stand located just inside the Bronson Gate at the old Paramount Studios, which was a popular hangout for gossip and socializing while Billy Wilder was building his career there. Erich von Stroheim, who directed Swanson in Queen Kelly (1932), plays Max the butler, who serves as the projectionist in the scene. But along with the accolades came a dependence on alcohol that would play a major role in his tragic end. The moment he discovers that life could be beautiful, Norma slits her wrist with Joes razor. But also much funnier. The body was found by Henry Peavey, who took over for convicted embezzler Edward F. Sands as Taylors valet. Suratt believed that DeMille's epic, "The King of Kings" (released in 1927) was based on her screenplay and filed a $1,000,000 plagiarism suit which was settled out of court in 1930. Cecil B. DeMille: at the studio during Norma's visit. William Holden says his birthday is December 21st. Thirty-one years later, the actor who played Gillis, William Holden, met his end. Sunset Blvd. by Billy Wilder, Billy Wilder, William Holden, Gloria Billy Wilder was one of the ultimate Hollywood insiders and he grew with film. read more: Key Largo, Lauren Bacall, and the Definitive Post-War Film. Im not giving anything away here. Sunset Blvd. (1950) - IMDb [15] Holden and Hepburn became romantically involved during the filming, unbeknownst to Wilder: "People on the set told me later that Bill and Audrey were having an affair, and everybody knew. So speaking of funerals, heres the great real life murder mystery we teased in the opening. Who didnt then? Director Cecil B. DeMille, silent film actors Buster Keaton, H. B. Warner, and Anna Q. Nilsson played waxy versions of themselves. The young actor also got to work with George Raft and Humphrey Bogart in the gangsters on parole movie,Invisible Stripes. The movie featured the famed director Erich von Stroheim, who made photographs of Gloria Swanson move so beautifully the world was enthralled, as Max Von Mayerling, the director who made, married, and divorced the enthralling Norma Desmondand then gave up his career in film to be her slave in butlers clothing. When Joe Gillis says, "They'll love it in Pomona," most people assume (correctly) that Pomona is intended to be representative of just about any average American town. They stayed that way even if the pictures got small. It was a gift from her lover, automobile magnate Walter Chrysler. Holden's first film back from the services was Blaze of Noon (1947), an aviator picture at Paramount directed by John Farrow. Both Mary Astor and Miriam Hopkins starred in TV versions of the film in 1955 and 1956, respectively. The restoration was performed at Lowry Digital by Barry Allen and Steve Elkin. In 1998 the American Film Institute selected this as the 12th greatest film of the 100 Greatest American Movies of All Time. Joe could have slept with Norma and loved Betty, and owned the pool that would be his final resting place. Director Billy Wilder Writers Charles Brackett Billy Wilder D.M. Not long ago, he was divorced from the actress, Gloria Holden, but carried the torch after the marital rift. Normas waxworks card sharps were Swedish-born Anna Q. Nilsson, H. B. Warner and Buster Keaton. The general consensus was that the two titans had canceled each other out, leaving the field clear for Holliday. Upon telephoning her, however, Wilder found that Negri's Polish accent, which had killed her career, was still too thick for such a dialog-heavy film. Holdens last movie, Blake Edwardss S.O.B., was another masterpiece of Hollywood cynicism. 10060 Sunset Blvd, Los Angeles, California, USA. Mary Pickford, Pola Negri, and Greta Garbo turned down the role. Its second owner was Jean Paul Getty, who purchased it for his second wife. This parallel narrative--two perspectives from the same character, one omniscient, the other blissfully ignorant--that converge at the moment of Joe's death, are a major reason the film retains such dramatic and emotional power. Film News. For some scenes, cinematographer John F. Seitz would sprinkle dust into the air so it could be caught by the lights and create a moody effect. And like the title, Holden seemed to have the looks and muscular build Hollywood craved. He was a genuine star. The butler stonewalls Joe from the outside world until hes rolling up twenties tight enough snort through to deal with even the shortest withdrawal from the big empty house. On February 7, 1955, Holden appeared as a guest star on I Love Lucy as himself. Sunset Boulevard, the 1950 film noir classic directed and co-written by Billy Wilder, did a lot to change that and other myths of old Hollywoodlike the real-life murder at the heart of the story. Brackett was a New York-born novelist and screenwriter, head of the Screen Actors Guild in the late 1930s, and president of the Academy of Motion Picture Arts and Sciences from 1949 to 1955 (during which time he won two screenwriting Oscarsgood news for conspiracy theorists). The much sought after but highly finicky leading man accepted the role, then backed out. American Film Institute On Sunset Boulevard: The Life and Times of Billy Wilder, by Ed Sikov, 2023 Minute Media - All Rights Reserved. taste bar and kitchen missouri city. The antique car used as Norma Desmond's limousine is an 1929 Isotta-Fraschini Tipo 8A, a luxury car made in Italy, and once belonged to 1920s socialite Peggy Hopkins Joyce. in 1911 when the Nestor Film Company moved from New. Wilder, ever the merry prankster, told Holden and Olson to keep kissing until he called "cut": he was going to fade out at the end of the scene, and he needed to make sure the kiss didn't end prematurely. Norma Desmond: Get out! Movie audiences in the nave early days of film sometimes didnt know that somebody had to sit down and write a movie. Getty Mansion aka Norma Desmond's home in "Sunset Boulevard" midway Please, don't let it be true, it must be some mistake," per her memoir. Normands career never recovered after word of her addiction leaked out and she died of tuberculosis on Feb. 23, 1930. Every time I go to L.A., which isn't too often, I look at these palm-bemused, once smart stucco facades, and wonder if a Norma Desmond from a later era might be hiding from the world inside them, buttressed by cable TV (AMC or TCM, no doubt), a poodle named FiFi or Sir Francis, walk-in closets full of leopard-print Capri pants that haven't fit in decades, and a world class liquor cabinet that has seen heads of state under the table on a good night. He loves Norma so much, he even forges thousands of pages of fan mail, just to feed her delusion. Brackett thought the sequence was cruel in its emphasis on what age had done to the one-time beauty, but Wilder insisted it was essential to show how driven she was in her pursuit of youth. For this Lamarr wanted $25,000 (which would be about $250,000 in 2015 dollars). Gillis smokes unfiltered cigarettes in the film. Gloria Swanson almost considered rejecting the role of Norma Desmond after Billy Wilder requested she do a screen test for the role. This film was originally released in the United States as The Christmas Tree and on home video as When Wolves Cry. The Pharmacy was filmed only 500 feet (150 meters) from a scene in Armed and Dangerous (1986) & Falling Down (1993), The parking lot behind Rudy's Shoeshine where Joe Gillis pulls his car out of is 1751 Vine Street - about a half a block North of Hollywood Blvd (you can tell by the scene's POV of the Taft building that sits on the corner of Hollywood and Vine). In 1954, Holden was featured on the cover of Life. . He contributed to Altvariety, Chiseler, Smashpipe, and other magazines. It opened on Broadway at the Minskoff Theater on November 17, 1994, ran for 977 performances and won the 1995 Tony Awards for Best Musical, Book and Score. It has to be an opera. Gloria Swanson became so identified with the demanding, irascible Norma that later generations of fans were startled to discover her serene, easy-going, naturalist personality in real life. When Joe Gillis and Norma Desmond watch one of Norma's old silent movies, they are watching a scene from Queen Kelly (1932), starring a young Gloria Swanson. Marshman was a journalist but both Wilder and Brackett had been impressed by the critique he had given of their earlier film, The Emperor Waltz (1948). The directions given by the Paramount guard for Norma and Joe to go meet Cecil B. DeMille on "Stage 18" is accurate: this stage, one of the largest on the Paramount lot, was known for years as "The DeMille Stage" and now is called "The Star Trek Stage", as all the "Trek" movies and some scenes from the TV shows have been shot there (the TV series, from Star Trek: The Next Generation (1987) onward, had its main sets right across the studio street on Stages 8 and 9, which are right below the second-floor office occupied by Betty Schaefer in this film. ), It came out the same year as another behind-the-scenes showbiz classic, All About Eve, which took most of the Oscars. Gordon Cole was a real person in the art department for DeMille's Samson and Delilah (1949) and later in The Ten Commandments (1956). Included among the American Film Institute's 1998 list of the Top 100 Greatest American Movies. In the movie when a cop tries to call in to the coroners office, he cant get an open line because Hedda Hopper is on the phone in Normas room, talking to the Times City Desk and that is more important. The script (which was to be a vehicle for her comeback) was submitted to Cecil B. DeMille who sent it back. If Gillis is accurate in stating that his meeting with Norma occurred some six months prior, the action of the film takes place between mid-November 1948 and mid- May 1949. Billy Wilder and Charles Brackett almost came to blows over the montage depicting Norma's preparations for her comeback. This is a reference to the now-mad Norma's final possession by the character of Salome, with whom she'd been so obsessed. The whole place seemed to have been stricken with the kind of creeping paralysis, out of beat with the rest of the world, crumbling apart in slow motion. Here's some backstage information to enhance your experience the next time you visit the Paramount lot.. It was built in 1924 by William Jenkins, at a cost of $250,000. For a number of years, exhibitors voted Holden among the most popular stars in the country: On this Wikipedia the language links are at the top of the page across from the article title. Co-writer D.M. The character of Max Von Mayerling as a washed up silent film director was an homage paid by Wilder to Erich von Stroheim, who was an inspiration to Billy in his glory days as a notorious silent film director himself. Marion Davies owned a famous ocean-front mansion in Santa Monica. Although it can get chilly by the ocean, a light jacket or sweater would be plenty. With the help of his partners, he created the Mount Kenya Game Ranch and inspired the creation of the William Holden Wildlife Foundation. GLAMOROUS MEN: WILLIAM HOLDEN: At some point, "Sunset Boulevard" Watch Sunset Boulevard: Centennial Collection, When Norma Desmond says to the guard at the "Paramount Studio" gates, "Without me there wouldn't be any 'Paramount Studio'" the words could apply to, When Max is telling Joe about directing Madam's first pictures, there is a bad dub of the word "sixteen". Norma's buying Joe a fine woolen topcoat would be mostly an affectation in sunny Los Angeles. The actor's second major breakthrough occurred when Wilder cast him in the lead of the. Darryl F. Zanuck, Olivia de Havilland, Tyrone Power and Samuel Goldwyn all refused to allow their names to be used in the film, but Billy Wilder decided to use Zanuck's and Power's names anyway. Swanson supplemented many of the costumes with her own accessories and jewelry. The house was owned by the J. Paul Getty family. [4] He made a sex comedy with David Niven for Otto Preminger, The Moon Is Blue (1953), which was a huge hit, in part due to controversy over its content. Gloria Swanson and Nancy Olson also co-starred in Airport 1975 together. "[4], For his contribution to the film industry, Holden has a star on the Hollywood Walk of Fame located at 1651 Vine Street. Hedda Hopper: at the top of the stairwell as Norma descends toward the cameras. The part was only Nancy Olson's third film appearance. Perry, George & Andrew Lloyd Webber (1993). When the movie first dropped, Louis B. Mayer, the Mayer in Metro-Goldwyn-Mayer, told everyone who would listen that Wilder disgraced the industry that made him and fed him, and urged that he be tarred and feathered, and run out of Hollywood. Wilder, who had been feeding himself for quite some time, told Meyer to go fuck himself. The movie premiered in the days of restricted language, not so long after Rhett Butler controversially told Scarlett OHara he didnt give a damn what happened to her in Gone With the Wind, a classic Paramount passed on because who wanted to see Civil War picture? But the old guard thought Wilder and his co-writer Charles Brackett fashioned a rope that could strangle this business of show by writing words, words, and more words. He became bitter about the throwaway roles Hollywood kept giving him. But attempts to turn the movie into a stage musical began almost immediately, spearheaded by none other than Gloria Swanson. On the basis of this film and largely due to his continuing association with director Billy Wilder, Holden would reach the zenith of his career from 1950-'57. Billy Wilder and Charles Brackett met with Greta Garbo and tried to convince her to make a comeback in the role of Norma Desmond. This indicates that he is smoking filterless cigarettes, which was the norm for that era until filters became the standard after the mid-'50s. Norma's "gondola bed" was originally white, and was featured in Twentieth Century (1934) with Carole Lombard and John Barrymore. Hollywood was known for its excesses long before Michael Jackson hit town. Holden had another good break when he was cast as Judy Holliday's love interest in the big-screen adaptation of the Broadway hit Born Yesterday (1950). Swanson and von Stroheim are playing themselves in that scene. Fat Man: "A husky fellow like you?" Free shipping for many products! Holden was best man at the wedding of his friend Ronald Reagan to actress Nancy Davis in 1952. What do you say about a longtime friend a sense of personal loss, a fine man. The film is included on Roger Ebert's "Great Movies" list. The Tragic 1981 Death Of Sunset Boulevard Star William Holden The car William Holden drives is a P15 Plymouth Special DeLuxe convertible, a model that was produced from 1945-49. William Holden | Biography, Movies, Death, & Facts | Britannica Sunset Boulevard, one of Hollywood's most cruelly accurate depictions of itself, is now 65 years oldolder, even, than its main character, who's washed up at 50. [46] Rumors existed that he was suffering from lung cancer, which Holden had denied at a 1980 press conference. [30] Holden made a Western with Ryan O'Neal and Blake Edwards, Wild Rovers (1971). The mansion belonged to the second Mrs. Jean Paul Getty, who rented it on condition that if she did not like the swimming pool the studio would have to add for the film, it would cover it over and restore the original landscaping. [44] After his death, Powers set up the William Holden Wildlife Foundation at Holden's Mount Kenya Game Ranch. Beedle grew up in South Pasadena, California. Talk! Sunset Blvd. "[13] And Wilder commented "Bill was a complex guy, a totally honorable friend. ", After serving with the U.S. Army Air Forces in World War II, he returned to Hollywood and in 1950 he got his first substantial role in Billy Wilder's "Sunset Boulevard," per Britannica. It was a big hit, as was The Bridges at Toko-Ri (1954), a Korean War drama with Kelly.[20][21]. The actor got up and tried to staunch the blood pouring from his forehead but never called 911, which might have saved his life, per the biography. Sunset Boulevard's cinematographer, John Seitz, said Wilder "had wanted to do The Loved One, but couldn't obtain the rights." "Twin Peaks" also features characters named Chester Desmond and Norma Jennings, in reference to Norma Desmond. His body was found four days later. Their relationship makes the film as much a love story as it is a noir film, because if ever there is a femme fatale, it is Norma Desmond. It was only natural that he should film several sequences on the studio's backlots. See production, box office & company info. Holden, who was at this point dependent on alcohol, said, "I really was in love with Audrey, but she wouldn't marry me. 1851 Ivar Street was the address of the Alto Nido Apartments, where he lived, sometimes worked and, ultimately died in 1941. After the. He earned an Oscar nomination for "Sunset Boulevard" and won an Academy Award for Best Actor in 1954 for his role in "Stalag 17," per IMDb. The apartments, and the "Alto Nido" sign out front that is glimpsed briefly in the film, are still there. Gossip columnist Hedda Hopper, who plays herself in the movie, wrote that Billy Wilder was crazy about Evelyn Waughs book The Loved One, and the studio wanted to buy it.. To shoot Joe and Norma dancing together at her New Year's Eve party, cameraman John F. Seitz used a dance dolly---a wheeled platform attached to the camera. This inter-positive was scanned at 2,000 lines of resolution and electronically restored for the 2002 DVD reissue. Every character is jaded, except the oldest players. Wilder told the actors to kibbutz and let him shuffle. While talking with Betty and Artie in Schwab's, Artie points out the studs in Joe's tuxedo. The latter was shot in Africa and sparked Holden's fascination with the continent that was to last for the rest of his life. Billy Wilder was actually friendlier with the other leading gossip columnist of the day, Louella Parsons. The structure in the film required a tennis court, or rather the ghost of a tennis court, with faded markings and a sagging net. Microphones would catch the last gurgles, and Technicolor would photograph the red, swollen tongues. Sunset Boulevard is also a reflection of Hollywood through a glass, darkly. You used to be big. The movie's line "All right, Mr. DeMille, I'm ready for my close-up." Sunset Boulevard now begins with police cars racing to Norma Desmond's house, where a dead body is floating in the pool. "We didn't need dialogue. The audience left 20 years ago. And what faces. Vega subsequently confirmed that this was a reference to Holden.[50]. Minters mother Charlotte Shelby was a manipulative stage mother who owned a rare .38 caliber pistol that fired unusual bullets very similar to ones found inside Taylor. Sunset Boulevard (film) - Wikipedia Seitz had used a similar technique on Double Indemnity (1944). The first draft of the film was a straightforward comedy about a has-been actress making a comeback, and Wilder saw Mae West in the role. Mary Pickford lived in seclusion, away from the public eye, while both Mae Murray and Clara Bow had well documented struggles with mental illness. The "Desmond mansion" was located not on Sunset Blvd. But trophies or not, Sunset Boulevard has stayed near the top of the list of great movies about moviemaking. He rose to prominence with his role in the movie "Sunset Boulevard" (1950), which landed him his first Best Actor Oscar nomination. Some speculated it was because he was dating an older woman at the time (actress Libby Holman, 16 years his senior) and didn't want people to think the movie was a parody of that relationship. Test audiences at the time couldnt let go of the joke, which was why it was re-edited this way. At Columbia, he starred in film noirs, The Dark Past (1948), The Man from Colorado (1949) and Father Is a Bachelor (1950). Betty is engaged to be married to Jack Webbs character, Arthur Artie Green, who is such a good buddy to Joe that he offers to put him up on the couch for a few weeks. For the clip of the vintage film that Norma was watching Paramount couldn't find anything suitable so Gloria provided it from her own collection. Cecil B. DeMille appears in the film on a studio set. Blu-ray features and commentary You probably know about the Andrew Lloyd Webber version of Sunset Boulevard that premiered in London in 1993 and headed to Broadway in 1994 with Glenn Close in the lead role.
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